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Shōgun: The brutal Japanese history that inspired 2024’s latest TV hit

    There’s a stomach-churning moment in the debut episode of FX/Disney+’s Shōgun that sets the standard for the kind of brutality surely to follow. Having endured starvation, scurvy, and a captain’s suicide aboard a ravaged Dutch trade ship, pilot major John Blackthorne and his surviving crew are shipwrecked off the coast of Anjiro, only to be thrown into a pit by sword-wielding captors to await their fate. Though Blackthorne avoids execution himself, a member of his entourage is less fortunate — he’s bound and placed into a cauldron, where he is slowly boiled to death.

    This is Japan in the year 1600 — a time of great unrest after two centuries of civil wars. Here, Blackthorne — based on the real-life navigator William Adams, the first Englishman to reach Japan — must assimilate to a brutal, foreign reality as a tenuous five-regent government threatens to rupture into warring factions after the passing of the Taikō (retired Imperial regent). With Catholic missionaries providing a further antagonistic presence to the Protestant Blackthorne, his survival may depend on an alliance with Lord Yoshii Toranaga — who has seemingly himself been marked for termination by political rivals.

    In 1600, the world’s power dynamics were very different from today: Protestant England had been forced to defend Elizabeth I’s throne from invasion in 1588, with the Spanish Armada intent on reinstating Catholicism and ending English support for Dutch independence from Spain. The latter country would, by this time, be in a dynastic union with Portugal; the two powerful Iberian states had previously divided the oceanic domains beyond Europe between their vast empires with the 1494 Treaty of Tordesillas. A vanguard of global exploration, Portugal discovered Japan in 1543 — and began to trade Western goods such as matchlock firearms with them while also spreading the Catholic faith via the introduction of Jesuit missionaries. This context serves as the backdrop to Blackthorne’s treacherous voyage in the opening of Shōgun.

Available in: https://www.bbc.com/culture/article/20240305-shogun-tv-hit-fx-violent-japanese-history/. Adapted.

T E X T

The word ‘viral’ has lost its meaning

    The nature of virality has shifted radically over the past decade as the internet has fractured into uncounted disparate algorithms, platforms, and niche communities. The volume of content being churned out every day has skyrocketed, the life cycle of each piece of media has grown shorter and social media platforms continue to inflate public metrics, devaluing previously impressive online stats.

    All of these factors have rendered the term “viral” nearly meaningless, say experts, and have led to a condition we’ll call “viralflation.” The term speaks to the diminished meaning of virality. If everything is labeled viral, then is nothing viral?

    “Back in the day, 1 million views was the thing,” said Marcus Stringer, a partner manager at Social Blade, a social media analytics platform. “That meant you’d gone viral, and you’d get picked up by news agencies around the world. Now, tens of millions of views is the norm for top YouTube channels. Soon, 20 million views will eventually become the norm.”

    “Because the concept of virality has been so watered down, truly viral pieces of content must reach hundreds of millions of people at a scale that’s increasingly unattainable for anyone but MrBeast,” said Lara Cohen, vice president of partners and business development at Linktree, a platform that allows creators to aggregate links to their social media profiles on one page. MrBeast is the internet name of Jimmy Donaldson, YouTube’s most watched creator.

    A decade and a half ago, there was a clear delineation between viral content and the vast majority of media that users would encounter every day. The internet was smaller, and most sharing was manual (people emailing and messaging links to each other) or via early internet aggregators such as sites like Digg and StumbleUpon.

     Viral content emerged slowly, so the life span of a viral video was long. Some content remained viral for up to a year, worming its way through the internet as it gained traction. When social media platforms began to switch to algorithmic feeds optimized for engagement in the mid 2010s, the viral content cycle accelerated, experts said. Brands began recognizing the power of virality and started to attempt to manufacture it. Content creators joined engagement groups where they’d reshare each other’s content in attempts to force virality.

    Platforms themselves also began to realize the power of virality and sought to generate it, or at least generate the appearance of it. This was the beginning of the era of viralflation. Facebook helped lower the industry-wide threshold for what counted as a video view, and began inflating view counts on various Facebook videos in an effort to make them appear more viral than they were.

    Then TikTok broke into the mainstream in 2020, lowering the bar even further for what counted as a “view.” While a view on Facebook counts after three seconds of watch time, a view on TikTok is simply an impression, meaning the video was served to a user for at least a fraction of a second on screen. According to the company, TikTok also counts each loop of the video as a view, allowing videos to rake in massive view counts.

    “The speed at which we cycle through trends and sort of moments of virality on the internet is faster now largely because of TikTok,” Cohen said. This has created an arms race among tech platforms to see which could inflate metrics the most. There’s been an incentive to have these numbers look bigger because they look better to advertisers, so there’s a financial incentive to cause this viral inflation.

    A new class of content creators also has raised the bar for what’s considered viral. “When MrBeast started to explode, things really started to change in the landscape,” Stringer said. “People didn’t consider [earlier metrics of virality] viral anymore, because he’s getting multi millions of views per video.”

    Coco Mocoe, a trend forecaster in Los Angeles, said that along with these shifts, users are also consuming a higher total amount of content online per day, especially members of Generation Z, those born between 1998 and 2012. They are more likely to consume all forms of media through the internet and social platforms, rather than via newspapers or TV. And, much of that content is short form and less than 60 seconds long. “The main reason there are bigger numbers now is because people are consuming so much more content in a given sitting,” she added.

    This has made virality more ephemeral. “There’s not that same… permanence,” Mocoe said. “If you’re watching 50 videos with 1 million views, you’re less likely to remember one as opposed to a decade ago, when you might only watch five videos a day, and just one would have 1 million views.” For the average consumer, viralflation has made it increasingly difficult to tell what is and isn’t actually viral. Because we no longer have any shared sense of virality, it makes it easier for people who don’t understand the mechanics of the internet to fall for fake viral trends.

Adapted from: https://www.washingtonpost.com/ 2024/03/09/

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Fonte: https://www.peanuts.com/about/charlie-brown. Acessado em: 25.09.0223

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Fonte: https://www.peanuts.com/about/charlie-brown. Acessado em: 25.09.0223

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    Paul McCartney is an English singer, songwriter and musician who gained worldwide fame with The Beatles, a rock band formed in Liverpool in 1960. He has collaborated with countless artists over his 60-year career, from Rihanna to Michael Jackson. Now, the former Beatle has teamed up with artificial intelligence (AI). In a recent interview, the 80-year-old revealed that AI has made it possible to release one “last Beatles record.”

    McCartney said that during the creation of the docuseries “The Beatles: Get Back”, produced in 2021 by Peter Jackson, they found an old demo tape that John Lennon had recorded. Through the use of artificial intelligence, they were able to start the process of taking the decades-old recording and turning it into something usable.

    “Peter Jackson was able to extricate John’s voice from an old cassette tape,” McCartney said. “He could tell the machine ‘That’s the voice. This is the guitar. Lose the guitar.’ We were able to take John’s voice and get it pure through this AI,” McCartney continued. “Then we could mix the record as you would normally do.”

    Though McCartney called recent uses of AI in music “kind of scary” — in April, a rap song featuring AI-generated voices mimicking Drake and The Weeknd was yanked from streaming services — the “Let It Be” singer admitted that the technology is “exciting, because it’s the future. There’s a good side to it, and then a scary side. And we’ll just have to see where that leads,” he said.

(Nicolas Vega. www.cnbc.com, 14.06.2023. Adaptado.)